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Maria Elorza
Year of residence
The director intends to explore an element of family history in a double way: on the one hand, through the tools of fictional cinema, understanding memory as fabulation; on the other hand, by taking the paths of non-fiction, treating cinema as a path of research and experimentation. The central theme of this narrative, which is presented as a diptych, is a written document, a love letter in the context of the World War II, in which the personal, the political, the historical and the affective come together.
